Leandro Katz, artist whose work is in the MOMA, the Getty, Pérez (Miami), Moderno (Buenos Aires), Blanton (Austin), is also a poet, writer, versed in Mayan culture, his work is conceptual, not without poetry . Another nationally and internationally recognized conceptual artist is the architect Horacio Zabala (Buenos Aires, 1943). His series of prisons, labyrinths, cartographies, diaries, account for his commitment against dictatorships, censorship, and authoritarianism at the end of the 60s. He also echoed climate change already in 1973 with “An eternally alive fire ”. His work invites reflection on the destiny of man in a time as troubled as the one humanity is going through.
Eduardo Santiere has a degree in Computer Science from the UBA. He applied computer skills for many years. According to his abbreviated biography, he left everything to concentrate on a work that oscillates between intimate scales and complexity, microcosm and macrocosm. So wrote Lux Lindner , curator of “Contemporary 31- The opposite of magic”, a show that was exhibited at Malba in 2014. Karina Peisajovich (Buenos Aires, 1966) known for her large paintings, portraits and self-portraits, set designs and costumes for the theater, from the 90s his work focuses on the investigation of light and color. Her magnetic work by movement through the modulation of space in which light artifacts intervene.
The Guatemalan Esvin Alarcón (1988) and the Mexican Emilio Chapela (1978) also make up this set of works that demonstrates the importance of drawing in the development of art history, essential, which highlights the diversity of techniques and contents embodied on the paper, a revitalized drawing according to the times. The exhibition runs until March 11 at Herlitzka & Co. – Henrique Faría in New York.
