Home » today » World » Andrzej Grzela is lifeless. Maciej Stuhr says goodbye to him in a touching entry

Andrzej Grzela is lifeless. Maciej Stuhr says goodbye to him in a touching entry

“We remorse to tell you that our beloved Dad, Husband, Brother and Son, and for a lot of of you an amazing Good friend, handed away this morning. He handed away peacefully in his dwelling in Tąpkowice to his everlasting watch. We’ll inform you about all info concerning the funeral ceremony in within the close to future. Please respect our privateness,” we learn on Andrzej Grzela’s profile (unique spelling).

Music on the community additionally stated goodbye Maciej Stuhrwho, impressed by his tragic destiny, made the movie “2nd Concerto for Cello and Orchestra”.

I’ve simply acquired tragic information. Andrzej Grzela “Qńa” is lifeless. The hero of my movie “2nd Concerto for Cello and Orchestra” and Małgorzata Smolak’s experiences from “Duży Format”. No phrases. We have now simply had heated conversations about him, for instance in “A Case for a Reporter”. Sleep peacefully, lovely man!” he wrote.

Andrzej Grzela was a singer and a revered physician. Within the musical group he was recognized beneath the pseudonym Qńa. He was the founder and chief of the Roaring Twenty group, which had been working in Silesia for a few years.

As “Dziennik Zachodni” reported, the group was based in 1983 in Bytom by musicians who then belonged to the first Water Staff of the native ZHP troop. The group’s first album – “Spanish Women” – based on the band, bought 100,000 copies. copies. The title music turned an enormous occasion hit, and to this point the music has garnered 16 million views on YouTube.

Grzela’s life and profession have been ruined after he suffered a stroke throughout a shanties live performance in Krakow in 2015. As a consequence of deep mind harm, the musician was paralyzed and had hassle talking. His story was introduced within the movie “2nd Concerto for Cello and Orchestra” by Maciej Stuhr in 2019, primarily based on Małgorzata Smolak’s reportage.

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