Anatomy of Ana de Armas’ style with which we wanted to graduate from high school
Back in 2010 when Generation Z was still obsessed with Hannah Montana –no one has said that we are not still obsessed with Miley Cyrus– and the looks of the celebrities At that time, they were our greatest inspiration for the most special moments of our lives – our graduation day and the occasional wedding or baptism and little else because we rarely enjoyed coming-out parties and events of that calibre in Spain – one piece stood out from the rest, or rather, a common design: asymmetries in skirts. Let’s talk graphically. It’s 2012, you open Tumblr or if you were one of the advanced Instagram users and a photo that keeps popping up is a blonde girl with her hair to one side and dark shadows in her eyes –vibes by Avril Lavigne– and a look consisting of a long skirt at the back and short at the front combined with a t-shirt, do you remember?
Ana de Armas attended the Toronto Film Festival in a style designed by Louis Vuitton, house whose creative direction for the women’s section is led by Nicolas Ghesquière and for the men’s section by Pharrell Williams. It was not just any style. look It was composed of two parts: a top in the shape of body with round neckline and sleeveless in a fabric similar to lycra due to the tight-fitting effect it provided; and, the second, a skirt in transparent fabric with floral embroidery and embedded rhinestonesBut that was not all, the design of the skirt is particularly special as it highlighted the asymmetries in the different parts and they were not just any irregularities in the cut, but those with which we dreamed of going to a university dance where we would fall in love with the Quarteback of the American football team.
The interpreter opted for Maximalism in accessories and made jewelry her great ally. Specifically, she wore a choker in the purest princess style, a bracelet and rings on both hands. As for her manicure, the natural color of her nails relaxed the elevated mood of the whole outfit. For her feet, she opted for a classic from twenty years ago and today, some stilettos in pale pink in patent leather material that blended with the color of her skin and created the effect of endless legs, perfect for posing through the openings of the dress.
Finally, the actress who plays Marilyn Monroe in Blonde opted for a relaxed hairstyle in contrast to the more elevated character of the skirtShe let her hair hang loose and let the shape of her hair develop naturally, with some wavy locks and others straighter ones that fell over her forehead, helped by the middle part. For her makeup, she opted for the old reliable: red lips and marked eyelashes. The result? A look perfect for posing on the red carpet.
