The Glagolitic alphabet as an aesthetic and creative signal is the topic of an exhibition that was introduced within the Nationwide Meeting on the eve of Could 24 – the Day of Bulgarian Schooling and Tradition and of the Slavic Script
The Speaker of the Nationwide Meeting, Georgi Pirinski, opened the exhibition “Glagolic traces” of the artist Antonia Duende on Could 13, 2009 on the Membership of the Folks’s Consultant. He famous that the work are an interpretation of Glagolitic texts from the so-called Baška pill /circa 1100/, the unique of which is preserved in Croatia, and emphasised that the exhibition speaks of the position of the Slavic script within the creation of a state custom. The Chairman of the Union of Bulgarian Artists, Prof. Ivaylo Mirchev, identified that artwork in Western Europe is at the moment uninterested in the particular imaginative and prescient, is little within the painted picture, and is on the lookout for a conceptual framework. It’s in such a framework that Antonia Duende consists of the picture of the Glagolitic, which corresponds with the occasions, with historical past, with the that means of the signal and the image, he added. By means of her watercolors, the Bulgarian lady, who lives and works in Berlin, strives to indicate the visible and even musical concord in Glagolitic and to deliver the everlasting values of Cyril and Methodius work into our on a regular basis life. She rigorously offers with the symbolic nature of the circle, the cross and the triangle – the paranormal figures which can be the idea of the Glagolitic script. The cycle of work “Glagolic Traces” has been created since 2005 on the idea of frottages taken on Chinese language paper from the Baška pill with texts in Croatian Glagolitic /so-called Angular Glagolitic/. The creator is on the lookout for the unifying, the all-Slavic, and due to this fact, as a Bulgarian, she works exactly with the Croatian Glagolitic. By means of the quite a few processing of watercolor sheets, in addition to the addition of further code programs reminiscent of musical scores, texts of different alphabets, the artist initiates a dialogue between totally different cultural layers. On this method, she strives to put Glagolitic written indicators in a European context via her personal creative language. In 4 of the work, together with the Glagolitic indicators, there are additionally neumes used within the church chant by Ioan Kukuzel, the specialist in Previous Bulgarian literature and tradition Prof. Nadezhda Dragova, mom of the artist, famous on the opening. In certainly one of her works, painted particularly for the exhibition within the Nationwide Meeting, Antonia Duende seeks a dialogue with one other genuine cultural monument saved within the Nationwide Library “St. St. Cyril and Methodius” – the memoirs of the affiliate of Lviv Pope Mincho. She weaves into her portray a part of the textual content and the foolish indicators with which pop Mincho notated the Apostle’s favourite tune “Dostoyno esti”. Antonia Duende’s works are an expression of the assumption that writing is probably the most dependable and noblest bridge between individuals and cultures. The exposition will go to the Nationwide Meeting till Could 20, 2009.
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