Actor Aivars Bogdanovičs is useless, informs the Latvian Countrywide Theater.
“Coming from the 5th studio of the Daile Theater and put in the very first several years of his operate at the Daile Theater, exactly where he played numerous primary roles, which include Chekhov’s Trigorin, in 1977 Aivars Bogdanovich joined the performing corporation of the National Theater and worked there for 30 years Effectively, his everyday living has arrive to an conclusion and, looking back, it becomes clear that the destiny of the actor is mainly established not only by his will or the needs of the directors, but by numerous external situation , such as the external parameters presented by God.
Nowadays it is additional tough to imagine the late 1970s, but a minute later Aivars Bogdanović offers himself to us as a prolific gentleman who cannot and does not want to toss away his judgments or emotions.
This is how he performed the position of the sage in “Mērnieku laikis” and that of the neighboring businessman Mārtiņš of “Oliver” by H. Gulbja, or the narrow-minded alcoholic John Canty in “The Prince and the Beggar” and the polished Vīskrelis Blaumaņa in “Ugunī”, as perfectly as the energetic bodybuilder Vilmārs Rozbails P The bird “With the hut to the church” and “With God on earth”. That all these designations in good shape his early roles is evidenced by the name of Brother Power’s purpose in M. Bulgakov’s “Moliere”, the theater’s website reads.
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