Pastor Malory strongly criticized the decision to include artist Emeline Michel on a poster with evangelical artists. Pastor Malory claims that this association goes against biblical principles, according to which light and darkness must remain distinct. He considers that evangelical artists embody light and that their presence on the same stage as secular artists, such as Emeline Michel, is inappropriate.
Pastor Malory, an influential member of the Haitian diaspora, denounces what he sees as a confusion of genres and values. In his statements, he puts forward the idea that evangelical artists represent light and should therefore avoid any association with figures from the secular world, which he associates with darkness. This assertion is based on the strict interpretation of certain biblical passages that, according to him, advocate a clear separation between sacred and secular elements.
The controversy erupted after a series of evangelical events announced that Emeline Michel, an artist known for her work in the field of Haitian popular music, would participate in a concert alongside Christian artists. The decision sparked an outcry within the evangelical community, with some believing that Michel’s presence risked tarnishing the spiritual message of the event.
It is important to note that in the United States, mixing artistic genres is a common practice. Many Protestant or Catholic places of worship host varied performances, often with the same equipment and instruments, regardless of the religious affiliations of the artists. This flexibility is seen as a way to foster coexistence and openness between different traditions and communities.
Pastor Malory’s statements raise questions about how religious communities approach cultural and artistic diversity.
Kominotek News Editorial
