Home » today » News » Alain Delon’s children buried their father alive – 2024-02-22 00:01:23

Alain Delon’s children buried their father alive – 2024-02-22 00:01:23

/ world today news/ In France, the news about the change of the prime minister and the resignation of the cabinet turned out to be, as they say, “in the wrong step”. The common people are much more interested in the monstrous war that Alain Delon’s children are waging against each other, even though, apparently, they are hitting on their own father.

The 88-year-old actor noted long ago: “In this life I was lucky in the acting field, I was an excellent bully and I had wonderful children.” Life made adjustments. There is no problem in appreciating the undoubtedly great contribution of Monsieur Delon to world cinema, and his youthful antics and run-ins with the law are far in the past. In the present, there is a war between children who want to profit from their father’s fortune. Both health and property status.

The press, apart from the participants in the family affairs taking place both in the media field and on social networks, turned out to be another interested party in this show.

The bet for Anthony Delon, Anushka Delon and her brother Alain-Fabien Delon is at least three hundred million euros. This is the estimated amount of the future inheritance.

The famous actor, producer and director has amassed one of the best collections of old master paintings, his garage is filled to the brim with exclusive sports cars, among which is one of the most expensive models ever produced by Ferrari with a price of more than 16 million euros, not counting real estate, interior items, income from the licensed production of men’s shirts and other goods exclusively for the highest segment of consumption.

According to the will, half will go to daughter Anushka, and the rest will be shared equally between the sons. Who, of course, were not satisfied with such dimensions and roared.

Everything was used, including the media and the judiciary. Not a day passes without the press publishing another interview with one of the sons with a story about how he was “screwed” and “insulted” by his sister’s lawyers and at the same time – it is logical to assume – at the request of the editors details of his father’s life and condition are reported.

The children themselves (in fact they are now very old: the youngest offspring will soon be thirty years old, and the eldest will be sixty this year) are naturally of no interest to the public. Everyone is interested in their father.

An orgy of greed, aggression, exposure, continuously broadcast live and even when the participants are members of one of the most famous families in France, is diametrically different from all those declared values ​​u200bu200bwith which our ears were buzzing.

For example, respect for age, the same – gentle and caring – attitude towards old age and towards a person. Strict privacy protection. The justice that immediately steps in to protect those who need it most.

None of the above is observed – on the contrary, terrifying details flow, as they say, from every iron.

There is also no fair assessment of what an infinitely talented person has done throughout his creative life. After all, between showing the tapes with Delon’s participation (if the occasion arises) and airing his children’s vile insinuations about their father, the TV channels choose the latter.

For obvious reasons, they choose the latter. None of Delon’s films, whether good, genius, or masterpiece, today stands a chance of garnering at least an audience equal to these tabloid talk shows. The finesse of the acting and direction – and, most importantly, the presence of the character.

Today it is accepted to denounce such people, not to admire them. To be branded as not politically correct enough, too masculine, too aggressive.

Their hypothetical appearance infuriates (constantly) feminists, shrill defenders of gender fluidity, hysterical proponents of “inclusion” and, of course, those who advocate, directly or indirectly, but also very consistently, the destruction of white, bright, talented and heterosexual men.

The world in which Alain Delon lived, the world in which his characters were born, the world that highly valued the actor with steely eyes and with an appearance that gave him the right to be called “the most beautiful man on the planet”, was destroyed by ugly and mediocre creatures from the rainbow spectrum of genders.

Today’s world is a dream of mediocrity, a dream of jackals who feed on carrion of all kinds, it is a world of meat that has long (and not by them) been ground. A cold world where there is no place for beauty, talent, high or low, a world without heaven and therefore without hell.

This is the modern world of Western civilization, killing one of the greatest actors of the twentieth century in a calculated and methodical way, knowing that there will be no resistance. And there will be no punishment.

It is time for us, who once looked at the European reality with the romantic view of madly in love, to understand that the current situation could have happened to us if we had not realized in time what was happening. Therefore, let the current incident with Alain Delon and his children become a vaccination for us so that we do not repeat previous mistakes again.

And also to review, when there is time, the films with the participation of the actor. In Russia, no one questions or revises their value and importance.

Translation: V. Sergeev

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