The theme of ardour and want is the interwoven compositions carried out this previous Monday at Prague’s Troja Citadel. The live performance known as Fantasia portuguesa was ready by the Early Summer time Music Competition. Charismatic singers and a virtuoso orchestra provided a charming journey into Portuguese Baroque artwork. The ambiance of the noble courtroom and the energetic and energetic nation was breath-taking for the viewers.
Portugal continues to be taken with native music historical past textbooks, and we not often hear the work of native authors on world levels. When repertoire originating from the Iberian Peninsula seems in classical music, it’s as a rule a consultant of neighboring Spain.
Early summer season music competition at this 12 months’s twenty fifth anniversary, whose leitmotif is dream and creativeness, they balanced that with a magical tasting of vocal and instrumental works by Portuguese Baroque composers. The sensation of a sizzling summer season night in stunning locations the Trojan fortress immediately impressed to dream.
The start of the 18th century marked a type of golden age for Portugal, linked primarily to giant revenues from the mineral wealth of colonial Brazil. The royal courtroom of King John V acquired an unprecedented cultural increase and was in a position to have interaction well-known Italian musicians corresponding to Domenico Scarlatti or Giovanni Bononcini. Many Portuguese artists, alternatively, went on a examine journey to Italy, the place they drew inspiration.
The primary half of Monday’s efficiency was principally within the spirit of courtroom work within the Italian model, with a beautiful assist from the frescoes within the Trojan Baroque corridor. Though the Portuguese authors Pedro António Avondano, Francisco António de Almeida and Carlos Seixas had been on this system, the affect of Roman and Venetian kinds, and likewise a little bit of Neapolitan opera, was seen. There have been items of music solely in Italian – at the moment widespread all through Europe as the primary singing language of the very best genres of music.
Ardour and want
The primary Portuguese orchestra Os Músicos do Tejo, led by conductor and harpist Marco Magalhães, carried out an ideal interaction of historic devices with exact, genuine sound and nice dynamics in Prague. The room made each the instrumental moments and the emotional accompaniment of arias from operas or songs stand out.
The primary half belonged to singers Ann Vieira Leita. The younger soprano is a lecturer on the Jardin des Voix academy of the well-known early music ensemble Les Arts Florissants, and she or he makes an impression particularly along with her baroque repertoire. In Prague, she carried out arias from 18th century Portuguese operas, which related the subtitle of the night, which is the theme of ardour and want.
The charming singer with a light-weight lyrical voice confirmed a wonderful traditionally taught approach and a great feeling for working with results and temper. Baroque interpretation was once largely managed by working with the feelings expressed by the textual content, and along with rhythmic accuracy or speech, it emphasised exactly probably the most trustworthy distribution of feelings. This gave the participant plenty of freedom in dynamics and velocity.
Within the romantic arias, Leite in a pink lace gown with flowers appeared dreamy and weak, she had a wonderful starting and set the notes even within the excessive ranges with the true readability of a summer season breeze. However the passages with emotional weight, when she confirmed the ability of her voice within the higher ranges, additionally suited her completely. Within the fiery arias, interpreted with acceptable vigor and fervour, her anger was virtually palpable. She scrolled the notes on the document with a sublime and virtually imperceptible hand gesture that appeared to be a part of the phrase and was actually much less engaging than when she was turning the classical music data.
In ornament are dacaps in elements, she was reasonably economical, which was a testomony to her voice, and due to the particular regional idea, she did not have to indicate nice virtuoso coloraturas to impress the viewers. Nevertheless, in the course of the extra engaging and sophisticated unaccompanied single decoration passage, she appeared to lose the important thing and drown out the dissonance with the orchestra with an virtually pianissimo inaudible on the finish. However this will simply be handed up attributable to general glorious efficiency.
The passionate nation of Portugal
The second half of the efficiency, with songs in Portuguese, appeared out of this world. Whereas the previous featured reasonably elegant noble residences, gallant knights and ladies in baroque robes, the latter provided a way more different mixture of genres and authors. She offered secular work, connecting extra with city and rural audiences, based mostly totally on typical Portuguese style. fado.
Its origin goes again to the start of the nineteenth century, when the courtroom moved from Lisbon to Brazil. There, the unique roots of the seventeenth century Portuguese dance style had been blended with components of Brazilian, Afro-Brazilian dances lundem no less than modified – a sentimental lounge track with significant emotions. There, Ana Vieira Leite was with the live performance with the primary fado actor Marco Oliviera.
He additionally acquired a spot in a number of solo compositions with guitar, which confirmed the true type of this music – melancholic compositions coping with bitterness, nostalgia and dying. The viewers appreciated the printed program of the live performance, which contained the lyrics of the songs with Czech translations.
Other than the very tender Portuguese, the singing methodology is said to fado, which has components of folklore, with out ornament. glissandicalm melismata even giant dynamic adjustments on a single notice, in addition to uncommon harmonic modes, generally harking back to Romani music. With all this, Oliviera created a great “civilized” look to the soprano’s operatic model. In duets, regardless of this distinction, they sounded the identical, vocally comparatively balanced.
Within the second half, Ana Vieira Leite “bloomed” much more right into a joyful, playful and enjoyable diva, smiling on a regular basis and dancing sweetly to the rhythm within the interludes. actions. Throughout the encore, she even put a chunk of meat behind her ear from a flower that was given to match her gown. At first she sang excerpts from António Teixeira’s opera written within the 18th century, however then she modified to a extra civilized singing model.
The spotlight of the night was the writing of the sort butts known as The impact of consumption and after rooster, during which Portuguese, Latin American and African components had been most blended. The track by the nameless creator was captured within the description of an Englishman touring to Lisbon who met two violinists on the street – one all the time enjoying with a harmonica and the opposite with out put together They took turns on this order, the chief defined to the folks of Prague. The writing was energetic, along with voices and orchestra, stuffed with power, and within the spirit of the thematic creativeness, one might virtually see the sunny streets of Portugal, during which one needs to bounce to the beat.
Brazilian modinha by Manuel da Camara and compositions by António da Silva Leite had been additionally heard, during which the affect of Mozart’s operas might be heard and which mirrored classical music. Marco Oliviera then excelled within the fado solo Amoe é água que corre.
The live performance was closed by two twister, compositions of the operetta-like Spanish theater style, by Lisbon-based creator José Palomino. The 2 soloists had been nice in them, there have been talking elements too. It is a disgrace that the encore was just like the very last thing in this system, it might have been extra totally different when it comes to model and theme.
The fantastic night within the constructing of the gorgeous Trojan fortress and its illuminated gardens left a beautiful sight and likewise introduced Portuguese artwork in the very best mild. With their fanciful “style”, the actors confirmed that it’s value getting out and attending to know the Czech viewers in additional element.
2024-07-30 15:29:47
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