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a bloodbath, an anthology scene, and that’s about it


Despite a big budget, Park Chan-wook on the screenplay, and ten splendid minutes, this historical drama which skewers extras in spades struggles to surpass its ultraviolence.

The action of the film takes place during the Imjin War (1592-1598), which saw Japan invade Korea. Photo Lee Jae-hyuk / Netflix

By Michel Bezbakh

Published on October 11, 2024 at 7:30 p.m.

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After exactly thirty-six minutes, a sudden urge to rewind. Need to take stock: how many extras have been skewered since the start of the film? Fifty ? Hundred ? Two hundred? A lot, that’s for sure, and now an avenger in a blue tunic comes down from the sky and launches into new carnage. No need to rewind, then: here we go again, we disembowel, we slit our throats, we shear, sixty-three men on the mat in one hundred and forty seconds. It’s a rough calculation, it all goes way too fast, but you get the idea: this film is about fighting, fire, blood, destruction, some slow motion and computer-generated images.

The story? Ah yes, history

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