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Cardboard” House Wins RIBA Award: Thin is the New Thick

Kazuyo Sejima, a renowned​ Japanese architect, has substantially impacted contemporary Japanese architecture with her innovative and minimalist designs. ⁣She ‌is widely recognized for her clean lines, use of light, and focus on simplicity. Sejima co-founded the ⁢architectural firm SANAA, which has produced several notable projects.

One of‍ SANAA’s most famous works is the Rolex Learning Center, located on the Swiss Federal Institute of Technology’s campus.​ This building is designed as an ‌undulating lunar landscape, where‌ spaces are‍ defined ​not by walls but by carpeted hillocks and⁣ valleys. Students can be found scattered across beanbags and ⁢curled up with books in its various nooks.Another ‌notable project is the modern art museum in ​Kanazawa, central Japan. This museum comprises a maze of ‌cubic white spaces contained within a⁢ diaphanous halo of⁢ glass, with no clear single visitor route. Visitors are left too ‍wander, as if in a forest glade.

Additionally, SANAA’s Grace Farms community center in Connecticut,⁣ USA, takes the‌ form of a snaking promenade sheltered by a delicately curved canopy hovering above the rolling⁤ hills. This​ design houses ​a constellation of rooms that can take on any role.

These projects exemplify Sejima’s design philosophy, which emphasizes simplicity, the use of light, and the⁢ creation of open, fluid spaces. her ‌work continues to influence modern architecture globally.For more‍ detailed facts, you can refer to the following sources:

Sanaa: ⁢Pioneering Organic Architecture⁣ in ‌Harmony with Nature

In the realm of contemporary⁢ architecture, few firms⁤ have⁤ made as meaningful an ‍impact​ as Sejima and Nishizawa and Associates (Sanaa). Known for ‌their ‌organic,⁣ nature-inspired designs, Sanaa has ‍redefined how we perceive the‌ relationship between human activity and the natural world. ‍Their philosophy is encapsulated in​ the words of Kazuyo Sejima and Ryue ⁣Nishizawa, the duo behind ⁢the firm, who believe that architecture should not impose but rather blend seamlessly​ with its surroundings.

The Philosophy of Free⁢ Curves‍ and Organic Shapes

“[I]f you make⁤ a ‌perfect circle, it doesn’t fit in nature,” says Nishizawa.This ⁤philosophy underscores Sanaa’s approach to architecture, where free curves and ​organic shapes dominate their designs. Born out of the need to avoid cutting through the mountainous landscapes​ of Japan, this design⁢ ethos has led to structures that appear as if drawn‌ by⁣ hand, integrating effortlessly⁢ with their environments.

Their buildings⁣ often feature amoebic shapes and delicate membranes of glass, creating spaces that are both functional and fluid.As an example, the Vitra ⁤furniture factory in Weil am Rhein, Germany, is a cylindrical storage depot with a wonky oval form, while the Bocconi University campus ‍ in Milan, Italy, resembles an intestinal tract with its looping design.

Creating⁣ Non-Hier Spaces

Sanaa’s designs ⁤emphasize​ non-hier spaces, allowing users to define their own experiences within the architecture. “We like to create ⁣non-hier space,⁤ where​ people can decide how to use it themselves,” says Sejima. This approach‍ is ‌evident in their projects, where clusters of furniture and glass membranes create areas that are both defined and open to interpretation.

The Evolution ⁤of‍ Sanaa

Founded in 1995, Sanaa ‌emerged from the individual practices⁤ of Sejima and Nishizawa. Sejima, born in 1956, had already established her own office in 1987 after working⁤ for renowned architect Toyo Ito. ‌Nishizawa, ⁤ten years younger, joined her in 1990. Together, they formed Sanaa to enter major international⁣ competitions,⁤ which they swiftly began to ⁢win.

Today, Sanaa operates from a ⁤single office where Sejima and Nishizawa run ​their separate⁤ practices alongside their collaborative work under the Sanaa brand. Their team has grown to include 60 members, allowing them to tackle larger‌ projects while maintaining ‌their unique ‌design philosophy.

Notable Projects and Impact

One of Sanaa’s most notable projects is‌ the ​ Grace Farms community center in Connecticut, which features a ‌delicately curved canopy above the hills.This structure exemplifies their ability to create ⁣spaces that are both functional​ and harmonious with nature.

Sanaa’s impact extends beyond their architectural achievements. Their designs have won numerous awards, including the Pritzker ‌Prize in 2010, cementing‍ their status as leaders⁣ in contemporary architecture.

Conclusion

Sanaa’s approach to architecture is a​ testament‌ to the power ​of blending human creativity with natural forms. Through their use of free curves and organic shapes, they create spaces that are not ‍only visually stunning but also deeply connected to their environments. ‍As‌ they‌ continue to innovate and inspire, Sanaa sets ‌a new standard for how we think about the relationship between architecture and nature.

Key Points Summary

| Key Point ⁣ ​ ⁢ ‌ ‍ | Description ‍ ‍ ⁤ ‌ ‍ ⁣ ‌ ⁢ ‌ ⁣ ⁢ ⁤ |
|————————————|—————————————————————————–|
| Philosophy ​ ‍ ‍ | Emphasizes free curves and organic shapes to blend with nature ⁤ |
| Design ⁣Ethos ⁤ ⁢ | Non-hier ‍spaces ⁢allowing user-defined⁤ experiences ​ ‌⁤ ⁤ ‌|
| founding ⁤ ‍ ‌ ‍ ⁤ | Established in 1995 by Kazuyo Sejima ‌and Ryue Nishizawa ​ ⁣ |
| Notable Projects ‍ | Grace Farms community ⁣center, Vitra furniture factory,⁣ Bocconi University campus |
| Impact ‍ ​ ⁤ ‌ | Recipient of the Pritzker Prize and numerous other awards ​ |

Explore more about​ Sanaa’s ‍innovative ⁣designs and their impact on contemporary architecture by‍ visiting their official website.

!Grace ⁢Farms ‍community center

Photograph: Iwan Baan

Discover more about Sanaa’s philosophy and projects by reading this interview with Kazuyo Sejima and Ryue Nishizawa.

Sanaa: The​ Architectural Duo Redefining Modern Design

In the‍ world of ⁣architecture, few firms⁢ have achieved the level of fame and success that SANAA has. Founded by Kazuyo sejima and Ryue Nishizawa, ‌this ‌Japanese architectural powerhouse is known for its ethereal designs and organic geometries. Their work has captivated audiences⁢ globally,from the‌ Bocconi University in Milan ⁣to the Rolex Learning Center in Lausanne.

The Dynamic Duo

Peers describe the success of SANAA as a result⁣ of the⁣ unique combination⁤ of Sejima and Nishizawa’s temperaments.⁤ “She⁢ has the ability‌ to decide, ‘This is​ what I like’,​ the correct ⁣form, almost telepathically,” said one Japanese magazine editor. “And he can understand​ and critique her. ⁢She needed to have ⁤a critical person.” Another Tokyo-based architect ⁤added, “Their combination is⁢ very good,​ because Sejima is a very good player and Ryue is a very good coach.”

Challenges in Translation

For all of SANAA’s perfectionism, their designs sometimes face⁢ challenges when translated overseas. Their theater in Almere, the Netherlands, for instance, ‍lacks the refinement ⁣seen⁤ in‍ their Japanese buildings.This is partly because their involvement didn’t extend beyond ⁤the detailed design stage. “Those are nice drawings,” a Dutch ‍contractor said, according to someone who worked on the project. “But that’s ⁤not how we build in ​the ‌Netherlands.”

In the UK,a spectacular glass greenhouse planned for Auckland castle in County Durham ​was sadly abandoned due to cost,complexity,and the COVID-19 ‍pandemic. These experiences highlight how reality can sometimes make Sanaa’s dreamy ideas seem a bit naive. Visiting the Rolex center in Lausanne,one encounters a world of handrails,accessibility ramps,and wedges used to hold up⁢ the furniture on the awkwardly sloping floors.

Dedication and Work ‍Ethic

Like many‍ architecture firms that experience this level of fame and success, SANAA is⁣ powered by an intense work ethic. When a journalist once asked to make a film of Sejima at her home, she directed them straight to the ⁢office. “It’s a bit like joining a convent,” one former employee tells me. “Your life becomes entirely devoted to architecture. You give in to it completely – but in a way that is deeply fulfilling.”

Key Projects and Design Philosophy

| Project Name ‍ ‌ | Location ‍ ⁢ | Description ⁣ ​ ⁤ ⁣ ​ ⁤ ​ ‌ ‌ ‍|
|—————————–|——————-|—————————————————————————–|
| Bocconi University Campus |‍ Milan, italy ⁢​ | Known for its organic ‍geometries and modern design.|
| Rolex Learning Center‌ |⁢ Lausanne, Switzerland | A unique educational space featuring⁣ innovative design elements. ‌ ​ |
| Theatre in almere | Almere, netherlands | A theatre project that faced challenges ‍in ​translation. ⁢ ‍ |
| Auckland Castle Greenhouse | County Durham, ⁣UK | ‍A planned greenhouse‌ that was abandoned due to⁢ cost and complexity. ‍ ⁢ |

SANAA’s‍ designs are characterized by their simplicity and elegance,often featuring​ large ⁤expanses of ⁣glass and a seamless integration with the natural habitat. Their work is a testament‌ to the power⁤ of minimalism and‌ the beauty of functional ‌design.

Conclusion

SANAA’s journey is a⁣ interesting ⁤blend of artistic vision and practical execution. Despite occasional setbacks, their impact on the world of architecture is undeniable. Their​ ethereal ideas and organic geometries continue to inspire and redefine ‍modern design.

Explore more about SANAA’s innovative designs and architectural philosophy by visiting their official website.


Call to Action: Share your thoughts on SANAA’s unique architectural style in the comments ‍below. How do you think their‌ designs influence modern architecture?SANAA, the renowned architectural firm co-founded by Kazuyo Sejima and Ryue Nishizawa, has been making waves in the architectural world ‌sence its inception in 1995. The studio, known for ⁤its minimalist and ⁣innovative designs, has garnered numerous accolades, including the prestigious pritzker Prize in 2010. Recently, SANAA​ was awarded the 2025 RIBA Royal Gold ⁣Medal, a testament to their significant⁢ contributions to the field of architecture.

sejima and Nishizawa’s collaborative works are deeply influenced by the minimalist lines of modern Japanese architecture. Their designs are characterized by⁢ a sense of simplicity​ and elegance,⁢ frequently enough featuring open spaces and a harmonious blend of natural and built ⁢environments. This approach ‍has not only earned them international recognition but has also solidified⁤ their status as one ‌of the ‌most influential studios in contemporary architecture.

When it comes to work-life balance, Sejima and Nishizawa have a unique perspective.Sejima notes that for them,working,enjoying,and resting are not clearly separated ⁤activities. ‍This integrated approach to life and work is reflected in their ‌designs, which frequently enough⁢ blur ⁣the boundaries between indoor​ and outdoor spaces. Nishizawa emphasizes the importance of hard work in creating good architecture, but he‍ also acknowledges that⁢ there is a limit to how much one can​ work effectively. he uses⁢ the analogy of a sculptor to illustrate this point, suggesting⁢ that ​beyond a ‍certain point, excessive work can lead to⁣ diminishing returns.

the recent demands by architects in Europe and the US for unionisation and better ‌working conditions have sparked a global conversation about work-life balance in the architectural profession. Sejima and Nishizawa’s insights offer a valuable perspective ‌on this ⁣issue, highlighting the importance ‌of balance and the‍ need for architects to consider their overall well-being along with their professional⁤ commitments. their approach serves as a reminder that the pursuit of excellence in architecture⁢ should​ not come⁢ at the expense of personal and professional sustainability.
Explore more about Sanaa’s innovative designs and their impact on contemporary architecture by visiting their official website.

Sanaa: The Architectural ​Duo Redefining Modern Design

‍In the⁣ world of⁤ architecture, few ​firms have achieved the level of fame​ and success ‍that SANAA has. Founded‌ by Kazuyo Sejima and Ryue Nishizawa, this Japanese architectural powerhouse is known for its ⁢ethereal designs⁢ and organic geometries. Their work has captivated audiences globally, from the Bocconi University ⁤in‌ Milan⁤ to​ the Rolex Learning center in⁢ Lausanne.

The Dynamic Duo

‌ Peers describe the success of SANAA as an​ inevitable ⁢result⁤ of ⁤the unique combination of Sejima and Nishizawa’s temperaments. “She ⁢has the ability‍ to decide, ‘This is‍ what I like’, the correct⁣ form, ⁢almost telepathically,” said one Japanese magazine editor.⁤ “And he can understand and critique her. ‌She needed to have a critical​ person.” Another tokyo-based ⁣architect⁣ added,”Their combination is very good,because Sejima is a very good player​ and‍ Ryue is⁤ a very good​ critic,suggesting that beyond a certain⁣ point,excessive work can lead to⁣ diminishing returns.

Discover more about Sanaa’s philosophy and projects ‌by​ reading ​ this interview with Kazuyo Sejima and ryue‍ Nishizawa.

Interview⁣ with Kazuyo Sejima and Ryue Nishizawa

Editor: How do you both ‌balance⁤ your creative ⁤vision with the practicalities of running a successful architectural firm?

Kazuyo Sejima: ⁤ Balance is crucial. We ensure​ that ⁤our vision remains at‌ the forefront while managing the practical aspects.This involves a constant‌ dialog between us, where we critique and refine each other’s ideas.

Ryue Nishizawa: ​ Indeed,​ Kazuyo’s intuition is extraordinary. She often has⁢ a clear vision of what she wants, and I provide the ⁤critical viewpoint to ensure we achieve‌ it. This dynamic helps‍ us maintain our creative integrity while managing the business side.

Editor: Given the⁢ recent demands by architects in ‌Europe⁢ and ​the US for unionisation and better working⁤ conditions,⁢ what​ are your thoughts on work-life balance in the architectural profession?

Kazuyo Sejima: ⁢Work-life balance is essential. The pursuit⁢ of excellence should not come at ‌the​ expense of personal and professional sustainability. We strive to create an environment where ‌our team members can thrive ‍both ‌personally⁣ and professionally.

Ryue Nishizawa: We believe⁢ in fostering ⁤a culture of​ mutual respect and support. This includes encouraging our team‍ to⁢ take ​time for themselves‌ and their families,⁢ which ultimately benefits the quality of their ‍work.

Editor: How do you approach sustainability in your designs?

Kazuyo Sejima: Sustainability is integral to our design philosophy. We aim to create spaces that are⁤ not only aesthetically pleasing but ⁣also environmentally responsible. This involves using enduring materials and designing buildings that are energy-efficient.

Ryue ⁣Nishizawa: ⁢ We believe that good design ⁣can have a positive impact on the environment. By integrating ⁣sustainable practices into our designs, we ‌can⁢ contribute to a greener ‌future.

Editor: What advice would you give to aspiring architects?

Kazuyo Sejima: Follow ⁤your passion and maintain your curiosity. Architecture is a⁢ journey of continuous learning and growth. Stay‍ true to your ⁢vision and ⁣never stop exploring new ideas.

Ryue Nishizawa: ‌Pursue‍ excellence but remember‍ to balance your professional life with personal well-being. This balance will help you achieve sustainable success in your career.

Conclusion

Kazuyo ⁣Sejima ⁤and ⁣Ryue ‌Nishizawa’s insights⁢ into the architectural ⁣profession offer valuable‍ perspectives on creativity, balance, and sustainability. Their approach serves as a reminder that the pursuit of excellence in architecture should not come at the expense of personal and professional sustainability. Through their ‍unique collaboration and commitment to their vision, SANAA ‍continues ⁣to redefine⁢ modern design‌ and inspire the next generation of architects.

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