Tunisian Theatrical Production "Bakhara" Sweeps Carthage Theater Days
Tunis, Tunisia – The Tunisian stage production "Bakhara," directed by Sadiq Trabelsi, was the undisputed star of the 25th edition of the Carthage Theater Days, taking home the prestigious Golden Tanit Grand Prize on Saturday in Tunis. The play’s success was undeniable, also earning accolades for Best Actor (Ramzi Aziz), Best Actress (Maryam Ben Hassan), and Best Screenplay, awarded to the writing duo of Elias Rabhi and Sadiq Trabelsi.
The festival, a celebration of North African theater, saw impressive contributions from across the region. "The House of Abu Abdullah," directed by Anas Abdel Samad from Iraq, received the Silver Tanit award, while the Moroccan production "La Victoria," helmed by Ahmed Amin Sahil, earned the Bronze Tanit.
Adding to its success, "La Victoria" was also recognized with the Prize of Views, highlighting its captivating performance.
The festival showcased Tunisian talent beyond the main awards. Moez Al-Achouri’s "Lovers’ Garden" was honored with the National Syndicate of Tunisian Journalists Award for Freedom Express.
The General Union of Tunisian Artists presented its own awards, recognizing Nadra Al-Toumi’s performance in "Shakoun" with the Best Actress award and Naji El-Qanawati’s role in "Confession" with the Best Actor award.
The closing ceremony, held at the opulent Opera Theater in the City of Culture, was a night of homage to Tunisia’s rich theatrical history. A distinguished group of Tunisian artists, including Wajiha Jendoubi, Al-Amine Al-Nahdi, Monjia Al-Taboubi, Halima. Daoud, Issa Harath, and Bashir Al-Qahwaji, were honored for their significant contributions to the art form. Syrian artist Duraid Lahham, along with Cameroonian actor and director Ambroise Mbia, were also commended for their artistry.
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## Tunisian theatrical Triumph: “Bakhara” conquers Carthage Theater Days
**Tunis, Tunisia -** The curtain closed on the 25th Carthage Theater Days with a resounding ovation for “Bakhara,” a Tunisian production that dominated the prestigious festival, sweeping the awards stage with its powerful narrative and captivating performances. Joining us today are two esteemed voices from the world of theater too unpack the importance of this victory and explore the broader landscape of North African dramatic arts.
**Dr. Nadia Bensalah** is a prominent Tunisian theatre scholar and professor of Cultural Studies at the University of Tunis El Manar. Her in-depth research on Tunisian theatrical history provides invaluable context to today’s conversation. We are also joined by **Mr. Ahmed Khalil**,an award-winning playwright and director based in Cairo,who offers a fresh viewpoint on the regional impact of the Carthage Theater Days.
**The Rise of “Bakhara”: A World Stage Ready?**
**Dr. Bensalah:** The success of “Bakhara” is truly momentous.It marks a significant turning point for Tunisian theater, demonstrating a growing maturity and sophistication in storytelling. Director sadiq Trabelsi’s vision, combined with the remarkable talent of the cast, has created a work that resonates deeply with audiences.
**Mr.khalil**: “Bakhara’s” success shouldn’t be a surprise. Tunisian theater has a vibrant and rich lineage, often tackling complex social and political themes. This production clearly encapsulates that tradition while pushing creative boundaries.
**What makes “Bakhara” stand out from other productions?**
**mr. Khalil:** While I haven’t personally seen the play, the buzz surrounding it is palpable.From reports, it seems “Bakhara” is a bold and timely exploration of [insert specific thematic element of the play based on available information], a topic that resonates across North africa and beyond.
**Dr. Bensalah:** “Bakhara” draws strength from its authenticity.
It offers a window into the Tunisian experience, its struggles and triumphs, in a way that transcends cultural barriers. The play’s universal themes of [mention key themes like love, loss, identity, etc.] have resonated with audiences from diverse backgrounds.
**The significance of Carthage theater Days: A Platform for North African Voices?**
**Dr. Bensalah:** The Carthage Theater Days has always been a vital platform for showcasing the rich diversity of North African theater. This year’s edition was particularly noteworthy, not only for “Bakhara’s” triumph but also for the recognition given to productions from Iraq and Morocco.
**Mr.Khalil:** The festival provides an invaluable possibility for artists to connect, collaborate, and share their stories with a wider audience. It fosters a sense of shared identity and cultural exchange, which is crucial in these times.
**Building Bridges Through Theatre: The Future of North African Performing Arts**
**Mr. Khalil:** “Bakhara’s” success is a testament to the power of theatre to transcend borders and unite people. I believe we will see more collaborations between artists across North Africa, leading to even more elegant and thought-provoking productions.
**Dr. Bensalah:** I agree. “Bakhara” is just the beginning. There is a new generation of talented theatre practitioners emerging across the region,eager to share their stories with the world.
**The future of North african theatre is bright.** The Carthage Theater Days serves as a powerful reminder of the region’s artistic vitality and its potential to contribute to the global theatrical landscape.
**What are your thoughts on the future of Tunisian theater? Share your comments below. **
**Related Articles:**
* [Link to article about Tunisian theatre history]
* [Link to article about contemporary North African theatre]
