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Despite Mamooka’s good performance, the director said; Because I am: Suhasini
1987 Manivathur’s Thousand Shivarathris is a film in which Mammootty and Suhasini met again, directed by Fazil. Suhasini talks about the movie “Thousand Shivarathris” in Manivathur.
Suhasini says that director Faasil told her the story of two films made in Malayalam, and her favorite was the story of the film “Thousand Shivarathris” in Manivathur. In a scene in the film, when Mammootty comes and cries when the character she played is lying dead, Suhasini says that she cried because of Mammootty’s performance.
The actress said that Mammootty then said that Mammootty had destroyed this dead body in which he was involved and the director saw it and called it Faasil Cut. Suhasini said Mammootty then got upset. She was talking to Q Studio.
Fazil asked me to make a film in Malayalam and told me two stories. They were the Appupan Thadis in Kakothikav and the thousand Shivarathris in Manivathur. Immediately I said ok to the character in Manivathur’s Mile Shivarathris. It was a very beautiful love story.
I am not a fan of romantic movies. But for some reason I liked both characters. I still tell every artist about a scene in that movie.
When Mammootty was brought in a wheelchair to see me after Neena’s death, he held the casket in which I was laid and cried. Suddenly the director called cut. If anything, I was crying.
I could feel it even when I was lying with bleary eyes looking at his performance. I cried. The director said that this dead body is crying. Mammootty was very upset. I said I did well and destroyed this body. I still tell many artistes about his acting skills,’ says Suhasini.
Content enhancement: Suhasini talks about Manirathnam
**What specific aspects of the “Faasil Cut” controversy were most challenging for you and Mammootty to navigate, and how did you ultimately resolve the creative differences?**
## World Today News Interview: Revisiting “Thousand Shivarathris” with Suhasini
**Introduction:** Welcome to World Today News. Today, we delve into the world of Malayalam cinema with renowned actor Suhasini, revisiting her experiences on the set of the classic film “Thousand Shivarathris.” Joining us is film critic and historian [Guest Name 2], who will provide expert context to Suhasini’s insights.
**Section 1: Choosing “Thousand Shivarathris”**
* Suhasini, you mentioned being presented with two film options by director Fazil. What ultimately drew you to “Thousand Shivarathris?” Was it the story itself, the character, or something else?
* [Guest Name 2], how does “Thousand Shivarathris” stand out among Fazil’s filmography? What thematic elements or stylistic choices make this film particularly noteworthy?
**Section 2: The Emotional Impact of Mammootty’s Performance**
* Suhasini, you vividly describe Mammootty’s performance in the scene where he confronts your deceased character. Can you elaborate on the emotional impact of his acting? What made it so powerful for you, even as the “deceased” party?
* [Guest Name 2], how did Mammootty approach his roles in the 1980s? Was he known for his emotional intensity, and how does this specific scene exemplify his talent?
**Section 3: The “Faasil Cut” Controversy**
* Suhasini, you mentioned Mammootty’s dissatisfaction with the “Faasil Cut.” Can you delve deeper into the discussion that ensued? Was it a disagreement about artistic interpretation, or something else entirely?
* [Guest Name 2], can you shed light on Fazil’s directorial style? Was he known for improvising on set, and how might this have contributed to the “Faasil Cut” moment?
**Section 4: Enduring Legacy of “Thousand Shivarathris”**
* Suhasini, how do your memories of making “Thousand Shivarathris” resonate with you today? What is your perspective on the film’s lasting impact on audiences and Indian cinema?
* [Guest Name 2], how has “Thousand Shivarathris” been received by critics and audiences over time? What are some of its most impactful contributions to the landscape of Malayalam cinema?
**Conclusion:**
Thank you, Suhasini and [Guest Name 2], for sharing your perspectives on this iconic film. “Thousand Shivarathris” clearly holds a special place in film history, and your insights offer a fascinating glimpse into its making.
