Heinrich Mühlsiepen 1836 -1901
Dä Domme Stoht
(the stupid fashion addiction)
The girls are really cool
So foolishly dry.
I don’t know a woman or a man,
Hant even has long curls.
That’s hot, that’s right on the head
Ace like Kappeshögl.
With Naule they are whipped and dropped
And a few broken Vögel.
De Ströpp, they consecrate before and after
The walls are fun.
A skin on a sheet of glass paper,
These are German women.
Camel legs on the fott
Ace for camel humps.
Dat Hemp ös achter un vör got
On beedste Strömp völl Onions.
Wenn früh if Elf Visit sprek vör,
This is a surprise.
The garbage still licks in front of the door,
Have not been combed or washed.
They wear glasses and sunscreen
Bottles in hand,
For wind the snow is firm,
We don’t use enough smoke.
Source: As Saan has not been a big city for a long time, page 31
Note:
It seems to be one of master carpenter Mühlsiepen’s early satirical verses, carefree cheeky and in a mixture of colloquial German and dialect.
You can see his joy in mockery that affected everything and everyone and had nothing to do with misogyny.
For many things he gave the melody to which they should be sung. The Saarland carnival club was particularly chosen for this purpose.
The image of verse turning is rarely as fitting as it is for him, the master carpenter from Kölner Strasse, and you can easily imagine how he combined his job and hobby.
Describing the back-lined dress, the feathers on the hat as dead birds and the lace cleavage as a broken shirt is really strong.
Was he something like Thorsten Sträter from Saarn?
**How does the use of dialect and colloquialisms in “Dä Domme Stoht” contribute to the effectiveness of Mühlsiepen’s satirical critique of 19th-century Saarn society?**
## Interview – Heinrich Mühlsiepen’s Satire: A Look Through Time
**Introduction:**
Welcome to World Today News. Today, we’re delving into the satirical verse “Dä Domme Stoht” by the late Heinrich Mühlsiepen, a master carpenter from Saarn. Joining us are Dr. Anneliese Müller, a scholar specializing in 19th-century German literature and social commentary, and Herr Peter Schmidt, a member of the Saarland carnival club and expert on local folklore and traditions.
**Section 1: The Verse Itself – Language and Imagery**
**(To Dr. Müller)**
* Dr. Müller, what can you tell us about the language and imagery used in “Dä Domme Stoht”? How does Mühlsiepen use dialect and colloquialisms to create a specific tone and effect?
**(To Herr Schmidt)**
* Herr Schmidt, this verse is said to be set against the backdrop of Saarn’s social landscape. Can you provide context on the fashion trends and social norms of the time, helping us understand what Mühlsiepen might be satirizing?
**Section 2: Satire and Social Commentary**
**(To both guests)**
* “Dä Domme Stoht” is described as a satirical piece. What specific societal elements do you think Mühlsiepen is critiquing through his verse?
* The verse mentions elements like “camel legs” and “broken Vögel” (birds). What do you make of these seemingly harsh descriptions, and how do they contribute to the overall message of the satire?
* Could this verse be seen as simply poking fun at fashion trends, or does it shed light on deeper social issues like materialism, consumerism, or gender roles prevalent in Saarn at the time?
**Section 3: Mühlsiepen’s Legacy and Relevance Today**
**(To Dr. Müller)**
* How does Mühlsiepen’s work, particularly this satirical verse, fit into the broader context of 19th-century German literature and social commentary?
**(To Herr Schmidt)**
* Mühlsiepen is described as a local figure who enjoyed merging his craft with his passion for wit and humor. How is his legacy remembered in Saarn today, and does his work still resonate with people?
**(To both guests)**
* Can we draw parallels between the satirical targets of Mühlsiepen’s work and contemporary social issues? Do his observations hold any relevance for us today?
**Closing:**
We thank Dr. Müller and Herr Schmidt for their insightful perspectives on Heinrich Mühlsiepen’s satirical verse. The playful yet biting commentary of “Dä Domme Stoht” serves as a fascinating glimpse into Saarn’s past and offers thought-provoking parallels to our present day.
