Home » Entertainment » Questioning Mega Aulia who asked the porridge maker to stop going on the Hajj after wearing the hijab

Questioning Mega Aulia who asked the porridge maker to stop going on the Hajj after wearing the hijab



Jakarta – Mega Aulia is a soap opera actress who has now chosen to withdraw from the world of entertainment and become a preacher. Recently, Mega Aulia was in the limelight after she burst into tears as her old soap opera was being rerun.

The actor who plays Atikah in the soap opera Tukang Bubur Naik Haji called out in an upload to her personal Instagram account @tehmegaaulia. He requested that the old soap operas in which he starred would not be screened anymore.

The request was because Mega Aulia had migrated and covered her private parts and wore the hijab. Mega Aulia felt that her past roles were very sexual.

Not only Mega Aulia, the soap opera Cinta Fitri, starring Shireen Sungkar and Teuku Wisnu, was aired again. Shireen, who already wears the hijab, received questions about her reaction to her old soap opera being rerun by netizens.

Shireen then answered netizens’ questions about soap operas before donning the hijab again. Shireen Sungkar responded to the upload and said that he already knew that the amazing soap opera that raised his name to the highest level of popularity was being screened again.

“However, in Indonesia the contract has been terminated. So after shooting I have no right to block it and I can’t get anything else, broadcasting anywhere, in any country, at any time is beyond my ability. At least I like it. or not, I won’t get permission either.

Seeing this response, Mega Aulia emphasized that she was focused on her personal principles. Mega Aulia, who said she was a former artist, wanted to collect for charity.

“So it’s like this, people have their own religious principles. Personally, for me, I’m really afraid of sins, and the pain of the grave, until the next life. That’s what I think in next life, I don’t run the world anymore.

“So, if he has that principle, go ahead, because we can’t force him. That’s everybody’s principle. Personally, I’m not like that. I really want him to all parties cooperate,” said the woman who won Bandung 2013. Film Festival Award in the category Best Supporting Actress in a Television Series with the card The Porridge Maker goes on the Hajj the Series.

The 41-year-old woman admitted that she was afraid it would be a sin. Mega Aulia admitted that she was under pressure to think about how to stop the airing of soap operas when she was not wearing a hijab.

“Well, that’s why the show is going viral on TikTok, which has millions of viewers, it made me think a lot about how my show that showed my private parts went viral bring down I have lost two kilograms (weight),” he said.

“I’m afraid, I’m really afraid to commit sins. In the future, many more sins will continue to die, eh … I think I’m already in the grave, what will the a similar afterlife,” said Mega Aulia about her fears.

(puss/nu2)

2024-11-23 04:53:00


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Here are ⁢two PAA-related ⁢questions ​for ⁢this news article:

​ ## ⁤ World Today News ⁣Exclusive Interview: Mega Aulia’s Request

**Interviewer:** Welcome‌ back ​to World Today News. Today, ‌we’ll be discussing the recent request made by‌ actress Mega Aulia to ⁢cease ​the⁣ broadcast of her past​ soap operas.‍ Joining us are two esteemed guests to⁣ delve⁤ into the complexities of this situation:

**Guest 1:** Dr. Sarah Rahman, a sociologist specializing in religion and media influence.

**Guest 2:** Omar Faruq, a film critic and cultural commentator.

**Interviewer:** Thank⁤ you both for joining us.

**Section 1: The​ Actor’s Perspective

Interviewer:** Mega Aulia’s request to halt the replay⁤ of her ​older soap operas has sparked⁤ conversation. ⁤Dr. Rahman, how do you understand Mega Aulia’s motivations for making this request, considering her religious transformation?

**Dr. Rahman:** This situation ‌highlights the internal struggle many ⁣individuals face when their past⁢ actions clash with ‌their evolving beliefs.⁤ It’s entirely understandable that Mega Aulia,⁤ having adopted a more ⁢ conservative​ lifestyle, ‌might feel discomfort or even shame seeing her past self⁣ portrayed in‌ a way that⁤ no longer aligns​ with her values.

**Interviewer:** ⁢Mr. Faruq, you have‍ a deep understanding of the⁤ Indonesian film industry. Do you see this request as a precedent for other actors who may wish to distance themselves from their earlier roles?

**Mr. Faruq:** This case raises important questions about artistic ownership and⁣ the enduring nature ⁤of creative works.⁢ It’s a complex issue with both sides deserving consideration. While actors have a right to evolve, removing past works from circulation ‍sets a dangerous‌ precedent for creative freedom and historical⁣ preservation.

**Section 2: Religious Freedom vs. Artistic Expression

Interviewer:** Mega Aulia​ has stated that ‍she fears the airing of these‍ soap​ operas could be a “sin.” What are your thoughts on this perspective, Dr. Rahman?

**Dr. Rahman:** The concept‌ of sin ‍is ⁢deeply personal and ⁤varies across ⁤individuals and belief systems.⁣

While Mega Aulia feels⁢ strongly about this, it’s‌ crucial to⁤ remember that imposing‍ her personal beliefs ‌ on others⁤ sets ‌a dangerous precedent ‍for religious ​intolerance.

**Interviewer:** Mr. Faruq, how do we balance artistic⁤ expressions that may ‌be deemed ‌ “immoral” by ⁤some with‍ the right to freedom of expression and ⁤audience ⁢choice?

**Mr. Faruq:** This is a ​delicate balancing act. While artistic freedom is paramount, communities must also engage in open dialogue⁣ about problematic representations and potentially ‍harmful content. Perhaps ‌a rating​ system or clear⁣ content warnings could allow individuals to make⁢ informed choices about⁤ what they consume.

**Section 3: The ⁤Role⁣ of ‍Broadcasters

Interviewer:** Mega Aulia expressed frustration at the lack of ‍control⁢ she has over the broadcasting of her past work now. How can broadcasters‌ approach this issue sensitively,⁤ Mr. Faruq?

**Mr. Faruq:** Broadcasters have a responsibility to consider the potential impact of ‍the​ content they⁤ air. In ⁢cases like this, open⁤ ‍ communication with the involved artists is crucial. They should explore alternatives like editing ‍ sensitive scenes or blurring out⁤ explicit content.

**Interviewer:**‌ Dr. Rahman, how can this situation be a catalyst for a broader conversation‍ about representation and respect ​in the media industry?

**Dr. Rahman:** This case highlights the need for more ⁤nuanced and diverse ‌representations in the⁢ media. ⁣It also underscores ⁢the importance of​ actively engaging with artists about their concerns ⁢ and ensuring their voices are heard throughout the⁤ entire lifecycle of their work.

**Concluding ‍Remarks

Interviewer:** Thank you both for your ⁣insightful perspectives. This is undoubtedly a complex ⁣issue with‌ no easy solutions. It’s crucial to continue this conversation, weighing⁢ individual rightes, artistic freedom, and the ⁤broader societal impact of media ‌ representation. We appreciate your time.

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