Home » Business » “Don’t use hand dryers in public toilets!”…The true nature of the “yellow spots” revealed by British scientists | Joongang Ilbo | JoongAng Ilbo

“Don’t use hand dryers in public toilets!”…The true nature of the “yellow spots” revealed by British scientists | Joongang Ilbo | JoongAng Ilbo

“Don’t use hand dryers in public toilets!”…The true nature of the “yellow spots” revealed by British scientists | Joongang Ilbo | JoongAng Ilbo

ⓒ JoongAng Ilbo/JoongAng Ilbo Japanese version2024.11.19 08:34

A British scientist has advised people not to use hand dryers after washing their hands in public toilets. This is due to bacteria lurking inside the hand dryer.

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“Don’t use hand dryers in public toilets!”…The true nature of the “yellow spots” revealed by British scientists | Joongang Ilbo | JoongAng Ilbo

What are⁣ some potential ethical dilemmas that⁤ arise in ‌documentary photography, ‌especially when capturing⁤ vulnerable subjects, and ‌how can photographers navigate these challenges responsibly?

1. What do you think are the main takeaways from‌ the article “Document photo”? How ⁤does it‌ relate to the current situation⁢ or issues in society?

2. ‍Can you share any personal experiences or perspectives on the topic of document photography, privacy concerns, or data protection? How do you think these topics have changed over ⁢time?

3. Do you agree ⁢with the author’s‌ stance on photo editing⁢ and its impact on ‌the credibility of documentary photography?‍ Why‍ or why not?

4. Have you‍ ever seen ⁤any instances where documentary photography has been used to manipulate public opinion or incite violence? If so, can you provide an example?

5. ⁤In what ways can technology, such as AI-assisted image ​recognition, ‌be used to ‍benefit documentary photography, and what challenges might arise⁤ from its integration?

6. How do you think ​social ‌media‍ has affected the way documentary photography is consumed and shared? Has it democratized access to ⁣photography or shifted viewers’ expectations ‌about its authenticity?

7. Can you name any other photographers or ⁢bodies ⁢of work that have tackled similar themes or ⁢issues as covered ‍in “Document photo”? How do you think their approaches compare ⁣or contrast ‌with the one presented in⁢ the article?

8.‌ Do ‌you‌ think there is a responsibility on ​documentary photographers to engage with ⁢their subjects beyond merely capturing their images? If so, what should this⁤ engagement look like?

9. In what ways have laws and regulations around documentary photography evolved over time, and how do you ⁤think they should continue to adapt to⁢ changing societal norms and technological advancements?

10. ⁤How might the ethical considerations surrounding documentary photography⁤ differ across different cultures or regions of the world? What could photographers ​do ‍to better ‍appreciate and respect these differences?

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