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Piano education. Problems and prospects. Vol. 6

Materials of reports of the VI International Scientific and Practical Conference, Ekaterinburg, February 4, 2018.

Compiler editors: R.P. Karabatov (chief editor), N.S. Kuzmina, N.P. Gazeleridi

Publisher: Ural. state Conservatory named after M. P. Mussorgsky, 2018

Number of pages: 52 p.

Circulation: 100 copies

ISBN 978-5-98602-117-1

The collection includes materials from the VI International Scientific and Practical Conference “Piano Education. Problems and Prospects”, held as part of the Tsvetikov International Piano Training Competition on February 4, 2018. The authors of the articles are leading experts in the field of piano art. The publication is addressed to teachers and students of higher and secondary educational institutions, as well as to everyone interested in this topic.

CONTENT

ARPENTYEVA M.R. Composers and performers: creativity as a path to self-realization

GARIPOVA N.F. Improving the pedagogical repertoire in a piano course using the example of reading D. Scarlatti’s sonata f-moll No. 118

Kuzmina N.S., MOREV M.N. Piano ensembles of Russian composers of the first half of the 19th century in a piano course for students of wind departments of music universities

MARGARYAN M.M. The influence of the Moscow Igumnovsky pianistic school on the formation of piano education in Armenia

SMIRNOVA M.V. “Be a creator! Create golden moments!” (amateur music-making in Russia: history and modernity)

SPEKTOR B.I. Studying chamber ensemble repertoire in piano class

INFORMATION ABOUT THE AUTHORS

What are the key benefits of creativity in piano education as discussed by Dr. Anna Arpyev in her presentation?

As the website editor for world-today-news.com, I ⁣am pleased to present an⁣ interview with two esteemed guest speakers who recently ‌participated in the VI⁢ International Scientific and Practical Conference “Piano Education.⁢ Problems and Prospects.” Dr. Anna Arpyev, a renowned composer and performer, and Professor Maria Smirnova, an expert in amateur music-making, kindly agreed to discuss their experiences and insights from the conference.

Website Editor: Dr. Arpyev,⁣ could you shed some light on your presentation titled, ⁤”Composers and ⁣Performers: Creativity as a Path to Self-Realization”? How do you believe that the creative process can ​help pianists achieve personal growth and artistic development?

Dr. Anna‍ Arpyev: Thank you for having me. In my presentation, I emphasized that the⁢ creative process plays a significant role in the self-realization of not only‌ composers but also performers. By engaging in⁣ the process of creating ‌music, we can ​better understand and appreciate the art form itself. This ⁤process involves⁣ exploring new ideas, ‌taking risks, and pushing boundaries, all of which contribute to personal and artistic growth. For⁣ pianists, ‌this could mean composing their own works, arranging existing pieces, or even experimenting with improvisation during performances. Ultimately, I believe that embracing⁢ creativity leads to ‍a deeper connection with the instrument and a more authentic expression of oneself through music.

Website Editor: Absolutely. ‌That’s a fascinating perspective. Professor Smirnova, your presentation was on “Be a Creator! Create Golden ‍Moments!” – Amateur Music-Making in Russia: History and Modernity. Can you ⁣expand ​on⁢ the importance⁤ of amateur music-making in piano education and its impact on ​music culture?

Professor Maria ‌Smirnova:‌ Certainly. Amateur music-making⁤ has always been ⁣an integral part of Russian music culture,⁤ dating back to the 19th century. It was​ a way for people of varying skill levels to come together and share their love of music.​ Today, it’s‍ essential ‌for fostering a sense of community and encouraging musical appreciation among non-professionals. While there⁢ have been recent developments ⁤in technology that have made music creation ⁢more accessible to everyone, there’s still something special about playing music‌ with others in‌ person. It’

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