Angers-Nantes: Alexandra Lacroix, a new era of opera

The director arrives at the head of the Angers-Nantes Opéra, and he intends to rely on site resources and social reflections to develop challenging programs.

All indicators are green. Attendance at operas is reaching new heights. In Paris, Strasbourg, Lille, the gas stations are more than 90% full. So it’s time to be appointed as the head of a lyrical art house. Are we sure? The political context is still uncertain and sometimes it seems that the promotion of the heritage sector is more important than the protection of the creation. Being appointed as the head of an opera house is dangerous. What do you do? “For several years, people from Drac and the ministry have been asking me about my desire to lead an institution. Until then, it wasn’t the right time.” discovered director Alexandra Lacroix. And then it grew. Since September 1, she has been the new general and artistic director of Angers-Nantes Opéra.

Alexandra Lacroix knows opera well. The Arts Deco graduate, visualiser and director, has worked on small and large projects for around twenty years, both in France and Europe, and has developed a clear and pragmatic view of the sector. “After Covid, the world of opera finds itself with a knot in the stomach and a lot of questions, she remembers. Is there any legitimacy in putting so much money into institutions that may concern a few people? Maybe this art is declining? I don’t think so. Opera has the power to touch everyone.” To develop a range of «prop