/ world at present information/ The poem was written by Mila Iskrenova /choreographer of “Arabesque”/ after a CONCERTO ANTICO live performance inside the framework of the Second Competition “Baroque Artwork” – 2008.
1.
Fixed, penetrating, sinking
with dignity within the rhythm of voluptuousness
like sweetness and keenness in a single inseparable
entire area
of corridors, stairs and railings on which
weak point leans gracefully and confidently
to streams of sunshine,
yellow, pink, inexperienced, blue and white
symmetrical and pretentious to the acute
ornamented serenity
like in a movie by Alain Robb Grier,
that leaves you breathless
as a result of your lungs are full
with pleasure,
fluttering just like the wings of birds,
entered the cell by chance,
deadly
and inevitable as love’s ardour,
silently spilling out
alongside the alleys of forgotten goals,
a dream
fortunately harmless and merciless
stretching the strings of indifference
tendons of ache,
inside, within the soul, deeply fixed,
penetrating, sinking
with dignity within the rhythm of voluptuousness
like sweetness and keenness in a single…..
2.
It would not attain its finish as a result of
It slides alongside the twine and
The invisible pearls scatter
On the bend of the neck
With a cool form near the ground
Creaking with the breath of dying.
The pearl blinds the creaking sound of dying
between the boards in a beam of sunshine.
On the event of the live performance of the traditional music consort CONCERTO ANTICO – Kupren, Kaldara, Corelli, Handel, and many others. Sofia Metropolis Gallery/ 05.11.2008
Mila Iskrenova
Revealed in her ebook The Pleasure of the Physique
“For me, baroque music is an emanation of ardour and eroticism, and they’re at all times felt in reference to dying. My favourite music”, says the choreographer of “Arabesque”
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