/View.information/ Premiere February 14, on the stage of the Musical Theater, 11:00 a.m.
On the eve of St. Valentine’s Day, Arabesque Ballet will current the premiere of the efficiency “Cinderella” to music by Prokofiev, choreography by Mariana Kruncheva, scenography by Ekaterina Eneva, costumes by Tsvetanka Petkova-Stoynova and multimedia imaginative and prescient by Nikola Nalbantov.
“Cinderella” by Mariana Kruncheva is provoked by the creator’s childhood recollections of her first assembly with Cinderella. Due to this fact, in her efficiency, she seeks a logical reply to the questions that excited her as a toddler – why the shoe solely match Cinderella; would the prince marry any lady whose shoe matches; is that this the thing that determines the destiny of each love… Due to this fact, in her fairy story, the prince doesn’t need Cinderella to attempt on the shoe. He likes the lady who’s impressed by his drawings and artwork, not by the truth that he’s a prince. However, and fairly tendentious, the royal society, conditionally referred to as by the creator “silicone”, is offered and overexposed via dummy costumes and conditions.
Within the new efficiency, dance and theatrical artwork are intertwined. The picture of the fairy is curious – an previous and amnesiac girl, carried out by the actress Anna Petrova, who on a regular basis tries to recollect and inform the story of Cinderella to be able to return the facility of her magic wand. She continually confuses her tales and inserts characters from different fairy tales – Grandma Yaga, Little Purple Driving Hood, Pippi Longstocking, and many others. This creates many comical conditions that will even trigger the participation of the viewers within the corridor. The interweaving of fairy tales and characters is a problem that goals to make the dance efficiency extra attention-grabbing, comprehensible and accessible to kids. From her a few years of expertise as a dancer, Mariana Kruncheva is aware of very properly the kids’s reactions and subsequently tries to diversify the present as a lot as potential.
The ending will probably be as stunning as every part on this story. An impressive and thrilling expertise appropriate for youngsters and adults.
Ekaterina Eneva’s scenographic options assist reveal this unconventional story and provoke kids’s creativeness via acquainted symbols – the pumpkin turns right into a automobile, the prince paints graffiti with spray paint. These references to modernity convey the story nearer to at the moment’s world and make it extra accessible and attention-grabbing for youngsters.
The extravagant costumes of the artist Tsvetanka Petkova-Stoynova convey numerous coloration and magic to the present.
The efficiency contrasts the true and the imaginary, life and artwork. The dynamics of this opposition is additional strengthened by the multimedia imaginative and prescient of Nikola Nalbantov.
The efficiency options well-known and beloved dancers of Ballet “Arabesque” – Angelina Gavrilova, Tanya Katsarova, Marina Popova, Stefka Tabakova, Victoria Petrova, Petya Koleva, Andreya Andonova, Maria Kasabova and Vasil Dipchikova, Stefan Vuchov, Valeri Milenkov, Philip Milanov, Ervin Autumn, Svetlozar Tinev and Chan Thae Chung.
Mariana Krancheva is a ballerina – classical and modern, choreographer, actress..
Mariana is a part of the Arabesque ballet troupe.
Beforehand, she was a soloist with the Nationwide Ballet Firm,
. He obtained his training on the Nationwide College of Dance Artwork, theater class 4xC, graduated from the “Ballet Directing” specialty on the New Bulgarian College.
He specialised in modern dance in Switzerland – with the well-known troupe “Nomades-le Loft – Vevey”, in Vienna – on the worldwide modern workshop Impulsstanz. and in grasp lessons with world-famous lecturers comparable to Gilbert Mayer, Dina Bjorn, Marco Cantalupo, Lis Lea, and plenty of others.
Participated in performances of the “Pantdans” theater (created by the actor Nikolay Sotirov) and the experimental theater troupe “4xC”.
As a choreographer, he staged ballet miniatures, and later complete performances for troupes such because the Nationwide Ballet – Sofia, ballet at OFD – Ruse, ballet faculty “Silhouette”, NUTI.
He’s the choreographer of a number of opera performances from the repertoire of the Nationwide Opera – Sofia, a lot of vogue artwork exhibits and dance movies.
She received the prize named after Margarita Arnaudova on the eponymous competitors for younger choreographers and the third prize for choreography on the “Golden Peacock” worldwide competition in Varna.
As a ballerina, she has obtained awards from the Worldwide Ballet Competitors – Varna, the Nationwide Ballet Competitors – Dobrich, a diploma from the Worldwide Modern Dance Competitors – Paris. Acquired the particular award of the Paris-Sofia Ballet Academy for younger expertise.
Anna Petrova – an actress
He graduated in appearing on the Nationwide Academy of Theater and Movie Arts. Actress at Youth Theater “Nikolay Binev”, Sofia. She performed at festivals in France, Serbia, Russia, Macedonia, Austria, Kazakhstan, Greece, Germany and Italy.
Award for a feminine position of the Nationwide Evaluation for Bulgarian Drama.
Award of the Union of Bulgarian Artists for the perfect actress of the 12 months and for the perfect European actress on the competition in Sarajevo. In Kazakhstan, she received an award for the main feminine position.
Member of the Union of Bulgarian Writers. Her performs have been carried out in Bulgaria, Lithuania and Austria.
For the play “Say hi there to papa” she was awarded the literary prize of Marseille.
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