Through the pages of 20 years of Ñ In the cultural scene, a prevalence of audiovisual arts can be seen in recent years. Perhaps because of its ability to embody the complexity of the present. In part this can be explained by the market, which always seeks to inhale originality in these fields. Or, as it says Graciela Speranza, present in this edition, for its condition as a living laboratory for immersion in a world open to coexistence with others, one of the challenges for the future. The globality of the art system coexists – he pointed out in an interview Laura Malosetti Costa– with communities that are sustained by a creative and vital function, which underpins society.
We think of the future as a continuity of the present, although a little different, in these pages through word-essays of the now, with a signature but crossed by its ideas. And that is another of the marks of passing: the decline of the figure of the genius (patriarchal, egocentric) that we did not see fall with a roar. It is read on the covers of Ñ, which increasingly show historical events, social phenomena and emerging concepts than portraits. We talk about it with Ana Longoni.
The cult of personality is giving way, through the fourth feminist wave, to collective ideas and creations, although they are not always easy to digest, understand and, of course, adore. That’s why the hashtags and classifications gain presence in contemporary debate. They are concepts that we were incorporating, redefining, in these two decades in which we all gained living space.
2023-11-18 01:34:10
#Art #Magazine #decades #won
