When we mention the name of the journalist Raghida Shalhoub, a significant journey in the world of media comes to mind. Raghida started out in the world of presenting programs through the “Soiree” program, which was shown on the Lebanese “CVN” screen, and after that she presented a series of programs on Orbit, including “Jaar.” Al-Qamar” and “Oyoun Beirut”, and she also presented in Egypt the programs “Kalam Bisrk”, “100 Questions”, “Comprehensive Examination” and “Cutting the Men”, and the “Marital Confessions” program on Al-Jadeed channel, in which she left her unique mark and proved once again that she is a professional media personality to the utmost extent.
Among the programs that Raghida also presented was “Songs of My Life” on the LBCI channel in 2012, which is the channel to which she returned today with the “Zaman” program, into the content of which she pours all of her experience and professionalism in the world of media, which are the result of years and years of work. .
Raghida’s re-entry into LBCI was received by Joy Al-Daher, the son of Sheikh Pierre Al-Daher, who took over the management of the station from his father. Joey assured Raghida of his great confidence in her, especially since the “Zaman” program is also shown on the “Dubai” channel, and Raghida Shalhoub is qualified to bear this. the responsibility.
Forma is a new program of its kind, as it keeps pace with development significantly, and its content delves into the depths of the guests.
In the first episode, Raghida received the Lebanese artist Carole Samaha, and in the first part Carole touched on her past, spoke for the first time about the sexual harassment she was exposed to, and revealed how she defended herself, and in the present segment, Carole shared with the viewers what she was going through in the clips, and through… Her presence on social media, and the episode was not without talk about the future.
Boredom does not enter the program, through the diversity present in it, as it includes a question from a guest, and this question is not real, but rather it is made with a voice in the style of artificial intelligence, and in the Carol episode, the artist Elissa asked her a question about whether it is possible to erase After all the differences between them, and working together for the second time, Carol’s answer was positive and peaceful, and she commented that the artificial intelligence technology was unable to create a voice identical to her voice.
The diversity in the program lies in the guest choosing a number from among three numbers representing three chairs on which guests sit whose faces the guest of the episode cannot see. When he chooses the number, he turns around with the chair to ask a question. In the Carol episode, the Egyptian director Batoul Arafa, the Lebanese artist Christina Haddad, and a Lebanese mother who asked Carol on the issue of a woman’s right to pass on her nationality to her children.
The second episode of the program was no less in depth, interesting and diverse than the episode of the artist Carole Samaha, where Raghida received the Lebanese actress Takla Chamoun. Her episode contained a dose of love between her and her husband, director Tony Farajallah, who asked her a question about whether she would prefer him to die before her or to die. He kisses him, so Thecla tells him that she prefers to leave before him, because she cannot live without him.
In the question via artificial intelligence technology, the Syrian actress Mona Wassef asked a series of questions to Takla Chamoun, including: “Aren’t you tired of the role of the mother who stuck with you?”
“Zaman” is a new step in Raghida Shalhoub’s career, presented by a media figure imbued with stardom, spontaneity and charisma, holding all the keys to sophisticated dialogue, far removed from trivial dialogues that build their foundation solely on obtaining media scope.
