“Aya Nakamura’s Last Parisian Evening: Review of her May 28 Concert at Accor Arena with Surprising Guests and Skewered Hits”

Last Parisian evening for Aya Nakamura, with two surprise guests and skewered hits. Review of his concert on May 28 at the Accor Arena.

Full box Sunday, May 28 for the third and last evening of Aya Nakamura at the Accor Arena, in Paris, with an entrance on stage at 7:00 p.m. for the most popular singer of the moment. Silver outfit with sequined mini-skirt and high-heeled boots in a disco dominatrix style, Aya impresses from her first appearance, with around her three choristers, five musicians and six dancers.

Skin level opens the ball, quickly followed by SMSand the whole Arena sings the chorus, “Just a text, without him I tried/ Baby, I just wanna try again/ Without you I tried, you come first”, while Aya in seductive mode places a dancer’s head between her thighs. Caliente, but clean. “Good evening Paris, are there any pretty girls tonight?” The answer comes back amplified: Yes, between 15 and 20,000, the crowd being 90% female.

girlfriendswith its chorus that winks at NTM (“But who is the best, best, best of my girlfriends?”) sets fire and it grooves in the VIP orchestra square, a circle of around fifty seats located in the center of a circular catwalk, a reduced version of the 500-euro enclosure at Beyoncé’s Stade de France. At regular intervals, Aya revives the atmosphere, as when she makes the crowd sing a capella the first verse of Lollipop. Arrive le single Quickdraw, and to everyone’s amazement, for the first time since the beginning of Nakamura’s concerts, Damso tumbles to thunderous applause. It was the evening not to be missed.

Fan fervor

The sound, catastrophic in the first track, slowly improved, the voice stands out above the instrumentals swayed by the machines or by the band, depending on the titles. Confidently, Aya smiles, kneels in front of fans in the front row, sketches a choreography step, a routine with one of her dancers. She plays with hot and cold, alternating single bangers and more intimate tracks, like this I am in pain sung in acoustic guitar/voice.

Break musicians, the opportunity for the diva to change her outfit (she will do it only three times, four less than SCH in the same room four days earlier). 8:15 p.m., arrival of the second guest, SDM for Daddy. The singer seems to feed on the fervor of the fans, whose eyes can be seen shining on the giant screens behind the stage. Little guitar solo on Favoritepredictable madness in the public when finally arrives Djadja, the signature hit, followed by the traditional thank-you session for the musicians and the technical team. Black in the room, reminder, the diva returns one last time to the peaceful sound ofFlywearing a majestic white evening dress.

And the star leaves the stage, leaving stars in the eyes of his fans.