If there is something that characterizes Charlotte York-Goldenblatt -character played by Kristin Davis- from the first season of sex in new york -and this was almost 30 years ago- is his love for classic fashion and specifically for Chanel. The young student of Fine Arts with perfectly coiffed hair, he never left the house without his jacket. tweed in different shades and with its characteristic chain inside the sleeves and inside the garment itself.
Now, in the middle of 2023, the life of the protagonists of the mythical series of HBO Max has changed radically. They are already in their 50s and even the title that protects them is different. He reboot now it’s called And just like that…a product of which ten new chapters are being shot in The Big Apple and which will be its second season.
In one of the shoots, we have been able to see Charlotte with her great friend, Miranda Hobbes -interpreted by Cynthia Nixon- and in the images in which she appears, she wears a bag from which THE SPANISH STYLE knows all the data.
A complement vintage which is nothing more than the umpteenth Chanel bag in the private dressing room of Charlotte York-Goldenblatt. It is a piece that is not for sale except on second-hand web pages such as Communal changing room or Joli Closet. Pink, in tweed -the most characteristic fabric of Chanel- and with braided lapels in black calfskin, its price is 6,500 euros.
And no wonder. This past March, the maison French has raised the prices of its bags again. Chanel’s classic 2.55 which a month ago could cost more or less 8,000 euros, is now priced at 9,200. The objective of the brand when increasing the value of its pieces is to keep its exclusivity intact and “get away from the masses”, as the house communicated in a statement.
[El estilo ‘girly’ de Marta Lozano gracias al bolso más romántico de Chanel]
It is the fourth time they have done it since the pandemic began. Chanel shopping is also limited. For example, in Paris, customers can buy only one bag and have to wait two months to purchase the second. The maison He wants to distance himself from mass consumption and for his pieces to be seen as what they already are for many: true works of art.
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