Then the media flourished and was generated by itself as a result of the well-known Lebanese quotas, both warlike and “civilian”. Television, a website, and radio have become screens, microphones, and even electronic armies whose flies do not scatter dust. And the video clip made a song of eternal war, leading to “Peace Vermandeh” and children assigned to cover heads and brains, and a sense of criticism that is forbidden to grow. Documentary films and serials dubbed in Persian, then in Lebanese Arabic or other languages, proliferated as a translation of the speech of the mullahs and the masters of the time itself, whether it was local or divine, there is no difference. Translation is also a literary genre, and the world is our shell, a steel oyster, and belief in its heart is a pearl whose origin is dust and its end is in the hearts and eyes… Rather, it is one eye that sees only what the wisdom of the leaders inspires, from Khomeini to Khamenei to his legitimate representative in Lebanon and all his shadows. Art for the sake of.. the art of mobilization and propaganda.
And that independent cinema in Iran, which is truly an act of resistance, and filmmakers are imprisoned? To hell trot. It is more appropriate for art to be soap for the brains, for cleanliness is for faith, so that the young ones grow up loyal, and the adults remain loyal as long as the network of services is working, and its engine oil is professional propaganda to the point of myth. Let it be an “international” award for creativity in the name of “The Martyr Leader”.
They are not the first in the world or in history, and they will not be the last. But they are in the midst of a metaphor, the creativity of which is innocent, the innocence of the resistance from the “resistance” .. for at least two decades.
And Hezbollah was certainly not late in reserving an advanced position in the column of the vertical poem as well (the prose is disbelief in the fundamentals?). “Divine Victory”. The vertical poem that, when thinking about it with Hezbollah, one cannot help but imagine extinguished electric poles, but they are filled with images of bearded men who died in an honorable battle, according to the “narration”, which is unquestionably official… And who said that creativity is a condition of questions? The answers are more important than the questions in the “Labbaik” planet. Rather, it comes ready, undisguised by hated question marks as an abomination of Satan’s work.
It is the poem with which the master of ceremonies gets an audience pumping adrenaline into their arms and fists before their favorite star appears on the big screen. Or so he wants it, sound and image. It is the same rhymed, ideologically composed poem of all meters, in the schools of the party and its scouts, and in almost every opening ceremony, memorial festival, or mourning council.
“Hezbollah” did not hesitate to put a piece of literature in the plate of “resistance”, along with all other creative genres that, by definition, cannot be born or live without freedom. The party caught up with the world, even after a while. He was not late, but was getting ready, warming up, preparing the equipment according to what his literature says. His literature is the literature celebrated with awards today. It spawned generations of supporters, fighters, phoners, and vowers of blood and souls. It mints literature like gold coins that were handed out as cultural prizes instead of dollars..and the lira as well. Coins from a past imagination in a past paradise, and the mind has no place in heaven.
The winning poetic, nonfiction and novel works in the first three places will be printed and distributed, while the Media Directorate of the Iraqi Popular Mobilization Authority will undertake the production of the winning short films. Al-Hashd Al-Shaabi is a film producer. No words to add to this wonder.
In America, there is Hollywood. In Europe, there are Cannes, the Berlin and Rotterdam festivals, and the Nobel and Booker prizes. And in the east of the “resistance”, in ghettos inside countries afflicted by wars, poverty and crises, resisting global conspiracies against regimes whose peoples do not have enough blood to overthrow them, and there is no global voice criticizing them except as an intrigue. The world of resistance literature” that will lead to a “friend universe” an ideology closed to a monolithic identity, a revenge in which no effort is spared in its manufacture, and thinking templates for which the outside is punished with all that may come to mind in terms of human rights violations.
The commander of the “Quds Force” in the Iranian Revolutionary Guards, the martyr who crossed borders, takes the militarization to its second phase. to culture. Totem exaltation. and “Thank God we are always right.” Congratulations to the winners.
