Ludovico Einaudi, a single of the most crucial classical songs composers of the second, thinks that “composing audio is like cooking pasta, when you have been preparing it for several decades you now know how to cook dinner it, but at times you want it to have a various flavor”.
The creator of the soundtracks of movies this kind of as ‘Intocable’, ‘Nomadland’ and ‘El padre’ confident, in an interview with Agencia EFE, that, as a good Italian, the dilemma is “come across a way to perform in a different way, to include the flavor you didn’t have in the pasta you cooked yesterday “.
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