To put aside totalizing narratives without intermediate nuances where the good guys are good and the bad guys are bad, series like “La mujer del diablo” and “María Félix, la Doña” explore “the grays” of human complexity in their characters.
“Certain people swore that melodrama was going to die with the arrival of streaming, but they have realized that melodrama is not perishable, Shakespeare was melodrama, series like this ratify the fact that people want to continue betting on this gender with another vision and less veils”, said Leonardo Padrón, writer of “The Devil’s Woman” on his way through the red carpet for the series’ presentation.
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