In the first concert in the parish church of Freistadt, the focus was on the organ and John Cage. Christoph Radinger opened the concert with “Apparation de l’église éternelle” by Olivier Messiaen. The counterpoint to this was Lisa Streich’s sensitively designed work “Seraph” for violoncello and organ, in which Anja Schröder and Bernhard Prammer skilfully entered into a dialogue.
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