MOGLIANO – The pandemic, the withdrawal of recent years, the up and down of mood and the body as a theater of pain. Maria Chiara had wanted to build around that nickname she had given herself, Lady Gavioli, a jet set character and glossy cover. Almost dystopian, however, in the face of a much more jagged reality. Made of gaps of happiness and relationship difficulties. And of a gradual withdrawal into the villa nestled in the Moglianese countryside which had become a refuge and a prison at the same time. Beautiful, rich, determined. Maria Chiara closes the circle of a lifetime at the age of 47 which he also knew how to make people dream. At least in his narratives, an accurate storytelling, all aimed at highlighting the lights and hiding the shadows. Born into a wealthy family, immersed in beauty and possibilities, Maria Chiara studied at the Collegio Astori with all the offspring of Moglianese and Venetians. And she has always been the author of her own biography herself. Which today many consider suspended between reality and projection. In Mogliano he had few friends and many acquaintances.
GOLDEN YOUTH
“He had spent a golden youth between Cortina, Sardinia and the south. Certainly close to the football scene – they say – his father, in the days of Maurizio Zamparini had been one step away from buying Venice. And many players lived in the houses they owned ». So Maria Chiara loves to remember the roaring years in which she attended the champions and the Serie A, from Paolo Maldini to that story with mister Merry. Truth? Fiction? The chronicle tells of two children, one adolescent the other smaller. And from two different fathers, one an artist from Treviso, the other a former rugby player who today were no longer part of his life. To those who asked her what her life was, she replied by citing golden goals and important works: sometimes a journalist, other models, even forerunners influencers. Maria Chiara was a beautiful person in need of help, who had tried to live life as a dream. And who, like so many women with wounds to heal, has paid a heavy price for the pandemic. Alone with her regret, and with her frailties.
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