A year ago, on October 31, 2020, he left us Sean Connery at age 90. The actor who defined elegance for half a century was leaving, but we still had his films and a gallery of characters that are timeless.
Before considering becoming an actor, Thomas Sean Connery was a weightlifter. At that time he called himself Thom Connery or “Big Tom” and had been practicing bodybuilding since he was 18 in a time – thank God – more moderate than that of Arnorld Schwarzenegger. At 23 he participated in a contest to be Mr. Universe. He came in third place, but a contestant’s recommendation was even more important: Connery should perform for the musical South of the pacific.
Connery accepted the recommendation and thus began a legendary acting career. Renamed Sean Connery, he was a Hollywood heartthrob with a privileged physique, classic proportions and a smile that was pure charisma. His secret, however, was in the voice. Connery spoke – if they left him with a Scottish accent – with a theatrical musicality that always sounded pure on his lips.
These are his best roles, seven unforgettable characters.
7. Henry Jones (Indiana Jones and the Last Crusade, 1989)
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Sean Connery was almost 60 years old when he made the third movie of Indiana Jones. He had aged without losing elegance, giving his papers a nice wrapping of tough curmudgeon like the one Henry Jones has here, the stubborn father of the character of Harrison Ford.
With his presence, the Indiana Jones films turned more than ever to the acquainted adventure, with the mythical search for the Holy Grail as the plot line. Maybe because of Connery’s involvement, Indiana Jones and the Last Crusade it was also the most demystifying film of the trilogy and also the most sentimental.
6. Robin (Robin y Marian, 1976)
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Every generation has had its Robin Hood. During silent movies it was Douglas Fairbanks; in classic cinema, Errol Flyn; and so on to Russell Crowe’s most historical and demystifying construction of the character. In 1976, only three years had passed since the Disney version of Robin Hood. To restore her physicality, director Richard Lester turned to Sean Connery.
The Connery version of Robin Hood was different from all the previous ones. A mature Robin, worn out and tired of the holy war, who returns home to find everything changed. Even at the cost of Errol Flyn’s acrobatics but without renouncing the action and intrigues of the Sheriff of Nottingham and King John, Connery restored all his humanity to the character.
5. Jim Malone (The untouchables of Eliot Ness, 1987)
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Although he is not the protagonist of The untouchables of Elliot Ness, Jim Malone was a very important character in the career of a veteran Sean Connery. After playing the immortal master in the hilarious The immortals (1986), with this film Connery won the role of the angry village Scotsman with whom we sometimes associate him.
Jim Malone is probably the best of an already excellent film with a first-rate cast about the duel between federal agent Eliot Ness (Kevin Costner) and mobster Al Capone (Robert De Niro).
4. Forrester (Discovering Forrester, 2000)
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After being the cunning agent who will teach Elliot Ness that sometimes to fight corruption you have to get your hands dirty, and after being the father of Indiana Jones, Sean Connery settled into the roles of a mature and experienced man in the avatars of life, a grumpy but understanding teacher.
Discovering Forrester it is the best and most classic of his roles of this type. A kind of rereading of The indomitable Will Searching made by the same director, Gus Van Sant. And Connery is up to the role he will then play Robin Williams. His is a more mysterious teacher, eccentric because of his withdrawal from the world rather than his energies, but one who never loses style or composure.
3. William of Baskerville (The name of the rose, 1986)
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With The name of the rose Sean Connery earned the right to do whatever movies he wanted. Until that year, he had chained a series of lazy movies like Meteor (1979) the The green knight (1984) and had even agreed to re-dress as James Bond in Never say never (1983); but his role as Guillermo de Baskerville in the adaptation of a novel by Umberto Eco would relaunch his career.
He is one of the most beloved characters of the past intercourse image. A Franciscan with the gifts of Sherlock Holmes who, together with his novice and specific Dr. Watson, will have to solve a prison intrigue in a Benedictine abbey during the 14th century. He did it so well that any reader of the novel will always see his face (and hear his voice) while reading.
2. Daniel Dravot (The man who could reign, 1975)
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The man who could reign It was the definitive consecration of Sean Connery. With the movie of Alfred Hitchcock, Marnie la ladrona had shown that his acting gifts spanned registers other than the masculine physicality of James Bond, and Sindey Lumet – the man who would also discover Al Pacino– He had been able to take advantage of it in several of his films; but it wasn’t until Zardoz and The man who could reign that Connery ended up shedding his role as Agent 007.
It is, perhaps, the best adventure film that exists. Partly because its director, John Huston, always knew that the most important thing in the genre are the characters. And Connery is great as Danny Dravot. Following a story by Rudyard Kipling, Dravot and Peachy Carnehan are two adventurers in India at the end of the 19th century, dedicated to smuggling who one day will decide to cross the Himalayas to travel to the legendary kingdom of Kafiristan… The adventure begins.
1. James Bond (1962-1983)
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James Bond. He is “the” character of Sean Connery par excellence. So much so that it would take the actor several years to dissociate himself from him. There is nothing to regret, because five o’clock James Bond movies that Connery played between 1962 and 1967 are some of the best of the character. And I would still come back two more times in Diamonds for eternity (1971) and Never say never (1983).
Although the James Bond by Daniel Craig can be measured with Connery face to face, Connery’s spy will always be, if not the best, then the first, the unique, the one who started the bondmanía. And is that Connery was perfect as a spy playboy. In haute couture outfit, driving the Aston Martin, drinking Dom Pérignon, seducing Bond girls and blastingly shooting SPECTRA villains… Sean Connery had all the elegance and seduction of the character of Ian Fleming. Pure hedonism in times of the cold war.
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