30 years of one of the best Stephen King adaptations. And you can watch it in streaming to be completely excited

You always have to remember that Stephen King has traveled more paths than horror in his work, especially to be able to place it for what it is: one of the most important authors of 20th century literature. It is true that doing so may undervalue the importance of genre literature, but it is important to have range.

Of course, many of its adaptations have been in fantasy, since several of its greatest hits have been there. But a King film is something very malleable because that is also his work, and those who understand it best can create transcendental films that are always kept in the memory as ‘Life Sentence’.

Redemption in seclusion

The highly acclaimed adaptation It is now 30 years since its release in cinemaswhere it was a relative failure and after which it had to generate an immense cult reputation that led to 7 Oscar nominations and one of the highest-rated films in history. Frank Darabont excites us with the excellent Tim Robbins and Morgan Freeman in this gem that can be seen streaming through Max and the Netflix.

Andrew Dufresne is sent to Shawshank Prison, where he must serve a life sentence after being found guilty of murdering his wife. There he gains the trust of his fellow prisoners, like the affable Red, and also of the prison management to make his time in prison more digestible. at least until make the dangerous decision to run away.

Darabont made his first feature film here, and from very early on he showed the exquisite qualities that made him a renowned director as well as a great adapter of King. He knew how to appreciate the pulse of the moment, taking the sensitivity of the adult and commercial cinema of the nineties to make it completely natural to side with apparent criminals or people who have committed incredible atrocities.

‘Life sentence’: regrets and freedom

The prison world is fabulously laid out and shown, and the characters can move through it with total naturalness. Their relationships, especially that between the characters of Robbins and Freeman, They exude great sensitivity who can fall into certain easy tears, but not into unbearable corniness. There is a latent complexity at the core of these relationships that enhances the story.

All with an exquisite narrative and visual realization, photographed with excellence by the master Roger Deakins. In this way, he manages to intertwine well aspects such as the desire for freedom or regrets that are explored so well by an author like King, and here they are magnified to give shape to a great film. Decades later, no one seems to get tired of her.

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